A quick plug this week for a great blog and seemingly Herculean effort by Lucas Martell and cohorts for the making of their short, Pigeon Impossible. You can check out the main website here and the blog here. I highly recommend reading through the blog and downloading the video podcasts (vidcasts?)
While Lucas and the team have been working in Autodesk XSI (though Softimage XSI at the time) the vidcasts are “3D application agnostic”. Actually that’s one of the reasons I am recommending you go check it out as Lucas focuses more on the *process* and the *concepts* and how they can help your production rather than “if you hit this button, X will happen”.
The thing is, creating a 6 minute long animation is a lot of work. Creating a 6 minute animation that looks professional quality is a totally different kettle of fish. Learn from Lucas’s mistakes (and of course hints from this very site) and you will hopefully be able to avoid many pitfalls and time-sinks which will let you keep your focus on your production rather than problems.
Archive for the ‘Thoughts’ Category
Short Film Plug: Pigeon Impossible
Wednesday, July 29th, 2009Thoughts: Interesting podcasts – add yours!
Sunday, May 3rd, 2009![]()
Okay, okay, this is a bit of a non-CG specific thread, but frankly, I am having trouble shaking the flu and I feel stuffed! For the non-Australians, “stuffed” in this context means “beat/tired/exhausted”, though it can also describe something not working; “Damnit, this comp is completely stuffed!”. Oh yeah, if your work ever offers to give a free flu shot, avoid it! Man, I got one just before a 4 day weekend and it laid me low and I can’t get rid of it. Vitamin C, stat!
Anyway, I am going to list the websites and podcasts that I regularly check out. I must confess that while I used to listen to music pretty much 24/7, these days I am more likely to listen to podcasts and audiobooks while I work. Stuffed if I know how some guys can listen to Finlandish death metal with the volume at 11 while working, but different strokes for different strokes.
The good thing about podcasts and audiobooks is that you can listen to topics that normally you might not read about. I probably won’t have the inclination to read volumes on the history or Rome or Greece, but I am happy to have someone read it to me and just kind of absorb it.
Industry – Work print of Wolverine hits the torrent sites
Sunday, April 5th, 2009![]()
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By now you almost certainly know that a work print of Wolverine has hit the bit torrent sites. You might also know that on one section a major Australian studio’s name is apparent. Now, allegations have been flying and conspiracy theories abound about how or why this happened.
I have to say, I am more likely to believe the studio in question when it said they it almost certainly wasn’t related to them as they didn’t even have a full copy of the workprint. As far as I know, each VFX house is rarely, if ever, given a complete work-print of the film. You usually get just the sequences your studio is working. FYI, the work-print is an edit without all the VFX and extras added. It will often still have green screen or very rough slap-comps to give the idea of the shot.
In any event, it has been quite interesting seeing people’s reactions. The first reactions were overwhelmingly along the lines of “Why would anyone want to watch an unfinished movie?” to which I respond “Are you so completely off your gourd on bad crack that you haven’t been on the internet in the last 5 years?” People will watch stick figure storyboards with fake voiceovers if they think they are on the cutting edge of downloadzzzz and if they feel like they are sticking it to the man. Heck, even I would be interested in watching a copy if it was included on the Blu-Ray release.
Some people suggested a marketing campaign from Fox to which I say “Is it possible that you might actually be considered barely mentally competent to stand trial for your obvious crimes against humanity?” (I find it’s best to spice up these posts every now and then). I mean, sure we are all aware of cynical viral marketing from the super corporations. Sony seems to be particularly guilty of this, however I think that most sane individuals with any shred of common sense and non-moron infused genes would say that, on average, it would be an exceedingly bad idea to have your studio’s name on a leaked version of a $150 million film. As one less than sharp tool suggested: “Lots of people know about the studio now”, as if studios need to get their name out to the 14 year old loser nerd bit-torrent community. Obviously where the bucks are . . .
Others suggested someone working at the studio. I guess that could be possible, but you would have to really not want a future in the industry if you thought that stealing and uploading a copy of an unreleased movie was a good move. This of course assumes that most people in the industry are of at least average intelligence, but I guess there are always what can be politely called “outliers”
Of course you have couriers and a myriad of other people, however the drives etc are usually pretty secure.
We may never find out what really happened, however Fox have said they have digitally watermarked all their prints, so it should be interesting to see how it play out.
Computer gear – What’s kind of gear do you absolutely need (or want)?
Sunday, March 29th, 2009![]()
I will start by saying that I will avoid the whole Mac vs PC debacle. Suffice to say that with Shake being dead, the case for owning a Mac purely for compositing has been dealt a blow. Of course Nuke runs on Mac (quite nicely apparently) as does 3D software such as Autodesk Maya (sub-par compared to PC and *nix) and Houdini (stable, from all reports).
Here’s what I consider the minimum gear to work quickly in CG:
Two Monitors
This should be a no-brainer, but if you haven’t experienced the joys of a dual monitor setup, you are really missing out. Thankfully these days even lowly video cards have dual DVI-outs, so it is as simple as inserting the card and connecting up your monitors. Some software makes good use of the dual monitors with the second being used as a reference monitor, such as The Foundry’s Nuke, while others pretty much just use the second monitor as a storage space for all your floating palettes (Adobe Photoshop).
Other than that, dual setups are perfect for training as you can have the video open on one monitor while following along on the other. Watching video training on a single monitor is about as fun as having starving penguins kick you to death and then eat you.
What monitor? Frankly, for the price you can’t go past the Dell 24″ 2408WFP. Sure it might be a little more expensive than others, but it has excellent colour reproduction thanks to it’s 8 bit panel. Most of the cheaper monitors use the cheaper 6bit panels as far as I know. Keep an eye out for weekly sales and scour the internet for extra 20% off codes that are sometimes emailed out. Combine them and get a great monitor for peanuts. Of course, if you are just doing non-production level stuff at home, there are a bunch of good 24″ models these days and prices have plummeted. SAMSUNG, ASUS and BENQ put out a couple of good ones. ACER seems to be a bit lower quality to my eye.
Tablet
It might be hard to believe, because I am so awesome, but for some bizarre reason I used a mouse with Shake for the first year of production. Why? Buggered if I know. I tried using a tablet a couple of times but I found it quite unwieldy. When I changed studios and was essentially forced to use one, it took me about 2 solid weeks for it to feel totally natural. Remember that I had been using a mouse for maybe 18-19 years, so cut me some slack! I have since started using the tablet for my 3D work and again, while unwieldy at first, you soon get the hang of it.
Check out the new Wcom Intuos 4 for some freaking sexxalicious tablet goodness. Do you need the latest thing? Not really. Keep an eye out for run out stock of the excellent Intuous 3’s. At this juncture I would only really recommend Wacom. I know some people, especially students, are tempted by cheaper products, such as Genius, but really, you get what you pay for and you can claim it on tax. Tablets and monitors are like shoes . . . you use them everyday and they are critical, so don’t sell yourself short but buying cheap gear.
Video Card
Any decent gaming card. It has been well established that Quadro’s offer negligible performance benefits for the average user. Get your studio to buy them if you desparately want one, and even then I think they would baulk at shelling out the kind of cash nVidia ask for those things. Some people may swear by ATI, but nVidia just seem to be more stable across all your needs.
Chair
Chairs? What the heck are you talking about Matt? Who gives a sod about chairs? I admit that this is a luxury, but only to a certain extent. Like a monitor, a chair is something you will be using pretty much every minute of your working day. You are sitting on your arse all day, so why by uncomfortable? The Herman Miller Aeron is the King of Chairs for the arduous bum-sitting marathons that are found in CG. Expensive as all get out, but your cheeks deserve to be coddled.
And now for the pure insanity of Stefan Didak’s setup. ”Look on my works, ye Mighty, and despair!”
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