Archive for the ‘Industry’ Category

Unpaid Artists – The fight goes on

Sunday, October 4th, 2009

You may recall, if you have read all of my posts (and why wouln’t you, they are literary gold!) that early on I posted some thoughts and links abou unpaid artists and the closure of Metero Studios:

http://www.thejuniorcompositor.com/2009/01/25/industry-the-state-of-the-visual-effects-industry/

It seems like some kind of agreement has been reached with the artists getting 70% of their wages.  That’s right, 70% of their wages for producing A-level visual effects for a major VFX studio which was in turn part of the Discovery group.  That is to say, Discovery are not exactly hurting for cash.  There are more than a few galling aspects to this case, least of which is working for 3months and not getting paid.  There is the fact the artists got shafted and not paid just before Christmas.  That pretty much sucks the big one, but how about Meteor effectively shutting down and opening again with the same muppets running the business with the same equipment on the same premises?  This is what happens with limited liability companies.  They can go bankrupt/insolvent and wind up and there is nothing you can sue them for.  They sell the equipment and facilities to another $2 company for cents in the dollar and start again as a “new and different” company.

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Tips – Demo reels – what to do and what not to do!

Sunday, April 26th, 2009

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I will start by saying that there are a few threads on various forums, so feel free to check them out, but this post is a distillation of those threads and personal experience.  I will also keep this reasonably general, as obviously different reels will focus on different things.   These are the basics that I believe you should cover.

 

Actually, this is a resume not a demo reel.  Doh!

Actually, this is a resume not a demo reel. D'oh!

I remember reading a couple of long threads about what you shouldn’t have on your reel.  To my mind, if you didn’t put on everything that someone mentioned, you wouldn’t have a bloody reel!  For example, it is routinely stated that you shouldn’t do light saber battles.  Fair call.  Fair call, that is, unless you do something like Ryan vs Dorkman, which is a pretty damn cool low budget saber battle.  Same thing for spaceships: “Don’t put spaceships on your reel unless they are better than ILM’s work”.  O RLY?  Are you not supposed to put anything on your reel that is not up to the standard of the worlds best VFX studios?  Well that’s great advice if you work at ILM and have a team of people to make your shots look amazing, but it’s not really that helpful if you are starting out and need to show your hard-surface modeling chops.

 

 

Also, I will categorically state that my current reel is in no way perfect.  Reels should always be looked at with an eye to revise and cull, but they do take a bit of effort to organise, so you don’t want to be fiddling every week on the bloomin’ thing.

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Industry – Work print of Wolverine hits the torrent sites

Sunday, April 5th, 2009

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By now you almost certainly know that a work print of Wolverine has hit the bit torrent sites.  You might also know that on one section a major Australian studio’s name is apparent.  Now, allegations have been flying and conspiracy theories abound about how or why this happened.

 

Copyright 20th Century Fox

Copyright 20th Century Fox

 

I have to say, I am more likely to believe the studio in question when it said they it almost certainly wasn’t related to them as they didn’t even have a full copy of the workprint.  As far as I know, each VFX house is rarely, if ever, given a complete work-print of the film.  You usually get just the sequences your studio is working.  FYI, the work-print is an edit without all the VFX and extras added.   It will often still have green screen or very rough slap-comps to give the idea of the shot.

 

In any event, it has been quite interesting seeing people’s reactions.  The first reactions were overwhelmingly along the lines of “Why would anyone want to watch an unfinished movie?” to which I respond “Are you so completely off your gourd on bad crack that you haven’t been on the internet in the last 5 years?”  People will watch stick figure storyboards with fake voiceovers if they think they are on the cutting edge of downloadzzzz and if they feel like they are sticking it to the man.  Heck, even I would be interested in watching a copy if it was included on the Blu-Ray release.

 

Some people suggested a marketing campaign from Fox to which I say “Is it possible that you might actually be considered barely mentally competent to stand trial for your obvious crimes against humanity?” (I find it’s best to spice up these posts every now and then).  I mean, sure we are all aware of cynical viral marketing from the super corporations.  Sony seems to be particularly guilty of this, however I think that most sane individuals with any shred of common sense and non-moron infused genes would say that, on average, it would be an exceedingly bad idea to have your studio’s name on a leaked version of a $150 million film.  As one less than sharp tool suggested: “Lots of people know about the studio now”, as if studios need to get their name out to the 14 year old loser nerd bit-torrent community.  Obviously where the bucks are . . . 

 

Others suggested someone working at the studio.  I guess that could be possible, but you would have to really not want a future in the industry if you thought that stealing and uploading a copy of an unreleased movie was a good move.  This of course assumes that most people in the industry are of at least average intelligence, but I guess there are always what can be politely called “outliers” ;)  Of course you have couriers and a myriad of other people, however the drives etc are usually pretty secure.

 

We may never find out what really happened, however Fox have said they have digitally watermarked all their prints, so it should be interesting to see how it play out.

Thoughts: Industry meetups, societies and organisations

Sunday, March 15th, 2009

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Last Friday we had a casual meetup of like-minded computer graphics folks in Brisbane.  It was my first (and unfortunately last as I am moving) Brisbane meetup and it was a great chance to have a few drinks and shoot the proverbial with some interesting new people.

 

These drinks meetups aren’t really regular and they are organised by whoever decides to get things moving from an Australian mailing list (the DLF) , but they always seem to get a good turnout and it is a great way to put names to faces, network, drink, eat and generally have a good time.

 

 

Beer is good.  Belgian beer is better

Beer is good. Belgian beer is better

Now, these are casual drinks, but there are also other events you can attend.  Is there a SIGGRAPH chapter near you?  Membership is usually quite cheap, especially for students, and they usually have monthly events and screenings.  These are a great way to here about new techniques, see shorts, hear about courses and meet people.

 

Are there any chapters of computer graphics groups around your area?  Websites like CGTalk and VFXTalk have strong communities and there is a good chance that if someone took the initiative you could get a meetup organised.

 

What if you don’t really like going out and hanging out with people?  Too bad!  Get off your bum and get out there!  If you haven’t realised yet, this is a small industry and most of your jobs will come from friends or people you know.  The more people you know and get along with, the more likely you are to get a job.  I realise that socialising is not for everyone, and it is tough when you don’t know anybody at an event, but you are more than likely going to meet some interesting new people and have a good time if you put in a bit of effort.